Celebrating The Beach Boys’ We Gotta Groove: The Brother Studio Years

The GRAMMY Museum is thrilled to celebrate the music of The Beach Boys and the release of We Gotta Groove: The Brother Studio Years in the Museum’s intimate 200-seat Clive Davis Theater with a conversation reuniting the three original Brother Studio engineers Stephen Moffitt, Earle Mankey and John Hanlon – who haven’t seen each other in nearly 50 years – to talk about the music The Beach Boys made between 1976-77 when Brian Wilson returned to producing and songwriting. The panel discussion will be led by acclaimed producer/mixing engineer James Sáez and Beach Boys historian Howie Edelson, co-producers of the new We Gotta Groove box set.

Stephen Moffitt – producer and engineer; designed and ran The Beach Boys’ Brother Studios; served as head engineer on The Beach Boys Love You and 15 Big Ones sessions; hired engineers Earle Mankey & John Hanlon.

Earle Mankey – producer, engineer and founding member and guitarist for the band Halfnelson, later named Sparks. His producing credits include the Runaways, Concrete Blonde, the Dickies, the Three O’ Clock, Sparks, and many more. He was first engineer on The Beach Boys Love You, Adult/Child and 15 Big Ones sessions, recorded at Brother Studio in Santa Monica between 1976-77. 

John Hanlon – best known for producing, engineering and mixing albums for The Beach Boys, Stephen Stills, T-Bone Burnett, REM, Gillian Welch, Dennis Wilson and most notably Neil Young who he’s worked with for the past 40 years, beginning in 1983. He was second engineer on The Beach Boys Love You, Adult/Child and 15 Big Ones sessions, recorded at Brother Studio in Santa Monica between 1976-77. 

ABOUT WE GOTTA GROOVE: THE BROTHER STUDIO YEARS

In the mid-1970s, the unexpected success of two back-to-back Top 10 greatest hits albums pushed The Beach Boys toward their early surf-and-cars past, fueling hits-laden nostalgia tours at sold-out stadiums and arenas across the U.S. Amidst this era, America’s Band, led by Brian Wilson’s return to songwriting and producing, quietly made some of the rawest, unexpected, and most emotionally exposed studio recordings of their career at their recording haven, Brother Studio in Santa Monica, Calif. Across a period defined by intense touring, shifting internal dynamics, and the highly publicized “Brian’s Back!” campaign, all five principal members — Brian Wilson, Dennis Wilson, Carl Wilson, Mike Love, and Al Jardine — contributed to a body of work far more complex than the era’s public narrative suggested.

Following the revelatory ’70s-era box sets Feel Flows — centered on the albums Sunflower and Surf’s Up — and Sail On Sailor, which explored the Carl and the Passions – “So Tough” and Holland sessions, We Gotta Groove: The Brother Studio Years turns to the next chapter of the band’s evolution. The expansive new collection, due February 13 via Capitol/UMe, gathers this pivotal period, recorded between 1976-77 at Brother Studio into one place for the first time, anchoring itself around a newly remastered edition of The Beach Boys Love You (1977) and the album sessions, the first-ever official release of the long-shelved Adult/Child sessions, and a wealth of outtakes and alternates from the transitional 15 Big Ones (1976) sessions. These recordings powered the era’s “Brian’s Back!” campaign — launched to rebalance the band’s commercial fortunes — which presented Brian as returning to full creative command even as his participation in the studio remained uneven and, at times, fragile. 

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Member Check – In: 6:30pm

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Show Time: 7:30pm

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BAG POLICY: please note that only bags 9 inches x 6 inches and smaller will be allowed for this event. Vinyl, memorabilia, gifts, etc. will also not be allowed inside the building.   

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