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An Evening With Vampire Weekend

     

The GRAMMY Museum is thrilled to welcome Vampire Weekend to the Museum’s intimate 200-seat Clive Davis Theater for an evening celebrating their latest album, Only God Was Above Us, their creative process, tour, and more, with a performance to follow.

Only God Was Above Us is the first full-length offering from Vampire Weekend since 2019’s Father of the Bride, which was the band’s third consecutive #1 album on the Billboard 200. Nominated for an Album of the Year GRAMMY, Father of the Bride won Best Alternative Album, marking the band’s second win in that category. Deemed “a masterpiece” by David Fricke of Rolling Stone, the album and its coinciding tour of sold-out arenas, sheds and festival headlining slots, solidified the Tri-State born and bred VW as the preeminent band of the New York rock scene, or in the words of USA Today, “The best indie band of their generation.” 

Only God Was Above Us, the fifth studio album — and first in five years — from Vampire Weekend’s Ezra Koenig, Chris Baio and Chris Tomson, was released on April 5, 2024 from Columbia Records. Inspired and haunted by 20th Century New York City, the album was recorded all over the world, from Manhattan to Los Angeles to London and Tokyo. Only God Was Above Us was primarily produced by Koenig and longtime collaborator Ariel Rechtshaid, mixed by Dave Fridmann and mastered by Emily Lazar.  

The beginnings of Only God Was Above Us stretch back to 2019-2020, when Koenig wrote the bulk of the lyrics. The 10-track magnum opus is the product of five years spent refining, reworking and gradually shaping those lyrical and melodic structures to take Vampire Weekend to a new creative peak. The album is direct yet complex, showing the band at once at its grittiest, and also at its most beautiful and melodic.

Only God Was Above Us is nothing short of a definitive statement — one that begins on a playfully profane and confrontational note, and runs a gauntlet of emotions, experiences, characters and stories, before ending on an unambiguous note of acceptance… and quite literally “Hope”:

“I hope you let it go

I hope you let it go 

Our enemy’s invincible

I hope you let it go”

The band will wrap up the North America leg of the ‘Only God Was Above Us’ Tour on October 17th in Austin, TX, and close out the remainder of 2024 in the UK and EU. 

Member Check – In: 6:30pm

Nonmember Check – In / Doors: 7:00pm

Show Time: 7:30pm

American Express® Card Members can purchase tickets from Thu 9/26 10:30AM through Sat 9/28 11AM.

 

Amex Presale Tickets™ T&Cs: American Express® Card Members have exclusive access to tickets before the general public for the specified sales window. Simply pay with your American Express® Card. Tickets are subject to the rules, terms & conditions, and fees set by the ticket seller, promoter and/or the venue, as applicable. Offer is fulfilled by ticket seller, subject to availability and may be changed or revoked at any time. Not all seats available and blackout dates may apply. All sales final. No refunds. No exchanges. For more information, please visit American Express.

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The holder of this ticket is granted admission to the indicated facility for the purpose of viewing the specified event. This ticket is for use by the holder only and the holder is bound by this policy. This ticket is not transferable and may not be sold, otherwise conveyed or used for any other purpose, including promotion or commercial, without the prior written consent of The Recording Academy. If this ticket is sold, otherwise conveyed or used in violation of this policy, it will be deemed revoked and void, and its holder deemed a trespasser at all Recording Academy events. This ticket is a revocable license and admission may be refused by refunding the face amount of the ticket or ejection may occur for failure to comply with any facility rule. The holder agrees not to transmit or aid in transmitting any description, picture, recording or reproduction of the event. The holder acknowledges that the event may be captured and recorded by audio, audiovisual, and/or photographic means, and hereby grants permission to utilize the holder’s image and/or voice in any and all media now known or hereafter devised to further the interests and mission of the Recording Academy. It is unlawful to reproduce this ticket in any form. The Holder assumes all risks incidental to the event, whether occurring prior to, during or after the event, and releases the facility, management, all participants and each of their affiliates, employees, officers, directors, members, partners, owners, managers, sponsors, contractors and agents from any loss, damage or expense resulting from any such risk. The Recording Academy reserves all legal rights and remedies. Save money on ticketing fees next time by becoming a GRAMMY Museum member! More info at grammymuseum.org.

ALL TICKETS ARE WILL-CALL ONLY AND VALID I.D IS NECESSARY FOR PICK UP.

ALL TICKETS ARE WILL-CALL ONLY AND VALID I.D IS NECESSARY FOR CHECK-IN. NO PHYSICAL TICKETS ARE DISTRIBUTED. 

EVENT TIME & DATE SUBJECT TO CHANGE

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