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Spotlight: I’m With Her

The GRAMMY Museum is thrilled to welcome GRAMMY Award-winning group I’m With Her to the Museum’s intimate 200-seat Clive Davis Theater for an evening celebrating their latest album, Wild and Clear and Blue, with a discussion about their creative process. There will be a special live performance to follow.

With the 2014 formation of I’m With Her, singer/songwriters Sarah Jarosz, Aoife O’Donovan, and Sara Watkins introduced an essential new force into the world of folk music: a close-knit alliance of highly esteemed musicians, each graced with a deep understanding of folk tradition and unbridled passion for expanding its possibilities. Since delivering their critically lauded debut See You Around and standalone singles like “Call My Name” (winner of the 2020 GRAMMY for Best American Roots Song), the trio have routinely taken time out from their individual careers to dream up songs together—eventually arriving at a new album exploring themes of ancestry, lineage, and the collective human experience. On their long-awaited sophomore LP Wild and Clear and Blue, I’m With Her now bring their luminous harmonies to a soul-searching body of work about reaching into the past, navigating a chaotic present, and bravely moving forward into the unknown.  

In a departure from the stripped-back intimacy of See You Around—a 2018 release that turned up on best-of-the-year lists from the likes of the New York Times—Wild and Clear and Blue centers on a far more elaborate sound informed by the band’s extensive touring and acclaimed performances at festivals around the globe. “Because we’ve played together so much at this point, we have a much stronger sense of what we’re capable of creating together,” says Jarosz. “We wanted to be open to anything on this record, and give ourselves more space for the solo sections to really breathe.” Produced by Josh Kaufman—a member of Bonny Light Horseman and multi instrumentalist/songwriter/arranger/producer who’s worked with Bob Weir and The National—the album finds each member handling a variety of instruments (mandolin, octave mandolin, guitar, and banjo for Jarosz; guitar and piano for O’Donovan; fiddle, cello, and organ for Watkins), instilling a potent vitality into every track. “Sometimes in the studio songs end up losing a bit of their sparkle, but with this record everything kept tumbling forward in a very natural, positive way,” says Watkins. Also featuring drummer JT Bates (Andrew Bird, Taylor Swift) as well as Kaufman’s contributions on everything from lap steel to Wurlitzer, Wild and Clear and Blue ultimately adds a bold new urgency to I’m With Her’s delicate entangling of lived-in narrative and fable-like storytelling. 

All multi-GRAMMY-winners with deep roots in the folk scene, Watkins, Jarosz, and O’Donovan first discovered their near-telepathic chemistry during an impromptu performance at the 2014 Telluride Bluegrass Festival and quickly co-founded I’m With Her. Over the years, their profound sense of kinship has only intensified, often allowing for a certain charmed fluidity in the creative process. “There were so many wonderful moments in the studio where we noticed commonalities between the songs that we sometimes hadn’t intended, either melodically or harmonically or even lyrically, with a line in one song almost responding to another song,” says Watkins. “It all feels very cyclical in a way that adds another dimension to the meaning of the songs, and shows the sincerity of feeling we all brought to the album.” In a particularly brilliant moment on Wild and Clear and Blue, the bridge to “Ancient Light” includes a reference to “Mother Eagle (Sing Me Alive)”—a sublimely moving track that opens the LP’s second side and ends with a lovely intertwining of the trio’s singular voices. “To me those last 30 seconds of ‘Mother Eagle’ are like a thesis statement for what this band is about,” says Jarosz. “Our voices weaving around each other and making the song feel so full without a lot of different sounds going on—that feels so quintessentially us.”  

BAG POLICY: please note that only bags 9 inches x 6 inches and smaller will be allowed for this event. Vinyl, memorabilia, gifts, etc. will also not be allowed inside the building.  

*Physical Valid ID Necessary for check-in.

Member Check – In: 6:30pm

Nonmember Check – In / Doors: 7:00pm

Show Time: 7:30pm

American Express® Card Members can purchase tickets from Thu 9/4 10:30AM through Sat 9/6 11AM.

 

 

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BAG POLICY: please note that only bags 9 inches x 6 inches and smaller will be allowed for this event. Vinyl, memorabilia, gifts, etc. will also not be allowed inside the building.   

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The holder of this ticket is granted admission to the indicated facility for the purpose of viewing the specified event. This ticket is for use by the holder only and the holder is bound by this policy. This ticket is not transferable and may not be sold, otherwise conveyed or used for any other purpose, including promotion or commercial, without the prior written consent of The Recording Academy. If this ticket is sold, otherwise conveyed or used in violation of this policy, it will be deemed revoked and void, and its holder deemed a trespasser at all Recording Academy events. This ticket is a revocable license and admission may be refused by refunding the face amount of the ticket or ejection may occur for failure to comply with any facility rule. The holder agrees not to transmit or aid in transmitting any description, picture, recording or reproduction of the event. The holder acknowledges that the event may be captured and recorded by audio, audiovisual, and/or photographic means, and hereby grants permission to utilize the holder’s image and/or voice in any and all media now known or hereafter devised to further the interests and mission of the Recording Academy. It is unlawful to reproduce this ticket in any form. The Holder assumes all risks incidental to the event, whether occurring prior to, during or after the event, and releases the facility, management, all participants and each of their affiliates, employees, officers, directors, members, partners, owners, managers, sponsors, contractors and agents from any loss, damage or expense resulting from any such risk. The Recording Academy reserves all legal rights and remedies. Save money on ticketing fees next time by becoming a GRAMMY Museum member! More info at grammymuseum.org.

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EVENT TIME, DATE, DETAILS, & PRICE ARE SUBJECT TO CHANGE.

IMPORTANT: PLEASE NOTE THAT TICKETS ARE NON-TRANSFERABLE AND RESELLING TICKETS IS STRICTLY PROHIBITED. 

All ticket purchases must follow the stated ticket limits listed on the ticketing page, regardless of what type of ticket was purchased. Any purchases that exceed the maximum will be adjusted, and the cost of additional ticket(s) will be refunded. This policy applies to all guests, including GRAMMY Museum members. Ticket limits per program are subject to change at any time and at the discretion of the GRAMMY Museum.  

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