The GRAMMY Museum is thrilled to welcome Japanese Breakfast to the Museum’s Ray Charles Rooftop Terrace for an evening discussing her latest album, For Melancholy Brunettes (& sad women), her creative process, and career, with a special performance. Attendees will have an opportunity to enjoy rooftop views and a cash bar prior to the program.
After a decade making the most of improvised recording spaces set in warehouses, trailers and lofts, Japanese Breakfast’s fourth album, For Melancholy Brunettes (& sad women), marks the band’s first proper studio release. Produced by Grammy Award winner Blake Mills — an innovator of uncommon subtlety, known for his work with everyone from Bob Dylan to Fiona Apple and quietly regarded as many a legacy artist’s favorite guitar player — and tracked at the venerable Sound City in Los Angeles — birthplace of After The Gold Rush, Fleetwood Mac and Nevermind among other classics — the record sees front-woman and songwriter Michelle Zauner pull back from the bright extroversion that defined its predecessor Jubilee to examine the darker waves that roil within, the moody, fecund field of melancholy, long held to be the psychic state of poets on the verge of inspiration. The result is an artistic statement of purpose: a mature, intricate, contemplative work that conjures the romantic thrill of a gothic novel.
For Melancholy Brunettes follows a transformative period in Zauner’s life during which her 2x GRAMMY nominated breakthrough album Jubilee and her bestselling memoir Crying In H Mart catapulted her into the cultural mainstream, delivering on her deepest artistic ambitions. Reflecting on that success, Zauner came to appreciate the irony of desire, which so often commingles bliss and doom. “I felt seduced by getting what I always wanted,” she says. “I was flying too close to the sun, and I realized if I kept going I was going to die.”
The plight of Icarus and other such condemned ones lends For Melancholy Brunettes its most persistent theme, the perils of desire. Like light dispersed, its spectral parts take the album’s characters through cycles of temptation, transgression and retribution.
BAG POLICY: please note that only bags 9 inches x 6 inches and smaller will be allowed for this event. Vinyl, memorabilia, gifts, etc. will also not be allowed inside the building.
*Physical Valid ID Necessary for check-in.
Member Check – In: 6:00pm
Nonmember Check – In / Doors: 6:30pm
Show Time: 7:30pm
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ALL SALES FINAL. NO REFUNDS. NO EXCHANGES.
EVENT TIME, DATE, DETAILS, & PRICE SUBJECT TO CHANGE
BAG POLICY: please note that only bags 9 inches x 6 inches and smaller will be allowed for this event. Vinyl, memorabilia, gifts, etc. will also not be allowed inside the building.
All ticket purchases must follow the stated ticket limits listed on the ticketing page, regardless of what type of ticket was purchased. Any purchases that exceed the maximum will be adjusted, and the cost of additional ticket(s) will be refunded. This policy applies to all guests, including GRAMMY Museum members. Ticket limits per program are subject to change at any time and at the discretion of the GRAMMY Museum.
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